Behringer Musical Instrument PROMIXERDX626 User Manual

Version 1.0 August 2002  
PRO MIXER DX626  
PRO MIXER  
Professional 3-channel DJ Mixer with BPM Counter  
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Intelligent dual auto-BPM counter  
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Super-smooth dual-rail “Ultraglide” crossfader with up to 500,000 life cycles  
Three dual input stereo channels with gain and 3-band kill EQ (-32 dB)  
One channel additionally switchable to studio-grade ULN microphone input  
Manual talkover function  
PFL function with master/PFL mix option  
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Peak-hold level meter with dedicated PFL bargraph  
Master, booth and tape outputs  
BNC gooseneck lamp socket  
Gold-plated cinch sockets for excellent audio quality  
Super-rugged construction ensures long life, even under the most demanding conditions  
Manufactured under ISO9000 certified management system  
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PRO MIXER DX626  
TABLE OF CONTENTS  
FOREWORD  
1. INTRODUCTION ......................................................... 4  
2. CONTROL ELEMENTS ............................................... 5  
3. SPECIFICATIONS ....................................................... 7  
4. WARRANTY ................................................................ 8  
1. INTRODUCTION  
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This manual first describes the terminology used,  
so that you can fully understand the DX626 and its  
functions. Please read the manual carefully and keep  
it for future reference.  
1.1 Before you begin  
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If the unit is damaged, please do NOT return it to  
BEHRINGER, but notify your dealer and the shipping  
company immediately. Otherwise claims for  
damage or replacement may not be granted.  
WARNING!  
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We would like to point out that high volume may  
damage your hearing and/or your headphones.  
Please turn the MASTER control all the way to the  
left before turning on the device. Always make  
sure that the appropriate volume is set.  
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1. INTRODUCTION  
 
PRO MIXER DX626  
2. CONTROL ELEMENTS  
Fig. 2.1: The PRO MIXER DX626’s front panel  
MIC/LINE–PHONO  
2.1 Front panel  
MIC INPUT  
GAIN  
HIGH, MID  
PHONO/LINE  
LOW  
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Never connect devices with line level to the highly  
sensitive phono inputs! The output level of phono  
pick-up systems is measured in millivolts,  
whereas CD players and tape decks have levels  
measured in volts, i.e. the level from line signals  
is up to 100 times higher than that of the phono  
inputs.  
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The total level also depends on the EQ setting.  
Thus, you should adjust the equalizer before  
regulating the level with the GAIN control.  
2. CONTROL ELEMENTS  
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PRO MIXER DX626  
CHANNEL  
2.2 Rear panel  
TALK  
TALK  
MASTER  
BALANCE  
BOOTH  
CUE  
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The PFL signal is your headphones signal. It  
enables you to preview music without affecting  
the MASTER signal. The headphone channel signal  
is taken pre- fader (PFL=Pre-Fader Listening).  
CH-1 CH-2  
CH-3,  
MASTER/CUE  
CROSSFADER  
POWER  
Fig. 2.3: The DX626 rear connectors  
INPUT 1  
PHONO/LINE  
PHONO  
LINE  
Fig. 2.2: Headphones connector  
HEADPHONES  
GND  
TAPE  
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2. CONTROL ELEMENTS  
 
PRO MIXER DX626  
3. SPECIFICATIONS  
BOOTH  
AUDIO INPUTS  
MASTER  
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Always turn the power amps on last to avoid inrush  
currents that can easily damage your speakers.  
And, to avoid sudden and unpleasant surprises  
for your ears, make sure there is no signal at the  
DX626 before turning on the power amps. To be  
sure, slide all the faders to the bottom and switch  
all controls to zero.  
AUDIO OUTPUTS  
EQUALIZER (+/-8 dB)  
TALKOVER BUTTON (MIC)  
LAMP (BNC)  
GENERAL  
SERIAL NUMBER  
POWER SUPPLY  
T 500 mA H  
T 315 mA H  
DIMENSIONS/WEIGHT  
BEHRINGER makes every effort to ensure the highest standard of  
quality. Necessary modifications are carried out without notice. Thus, the  
specifications and design of the device may differ from the information  
given in this manual.  
3. SPECIFICATIONS  
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PRO MIXER DX626  
4. WARRANTY  
§ 1 WARRANTY CARD/ONLINE REGISTRATION  
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§ 2 WARRANTY  
§ 5 WARRANTY TRANSFERABILITY  
§ 3 RETURN AUTHORIZATION NUMBER  
BEFORE  
§ 6 CLAIM FOR DAMAGES  
§ 4 WARRANTY REGULATIONS  
§ 7 OTHER WARRANTY RIGHTS AND NATIONAL LAW  
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4. WARRANTY  
 

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